Renée Van Halm’s extensive knowledge of architectural forms stemming from years of study and travel have led to the development of a unique language relating to the social dimension of architecture, design, and colour. Traditional views of space are dematerialized and reimagined in synthesis with weavings, shreds of origami paper, and diminutive modernist forms. The works on canvas in this exhibition are based on the works of female artists from the 1920s, including painters such as Sonia Delaunay and Varvara Stepanova, textile artists Anni Albers and Marion Dorn, and Bauhaus artists and educators Otti Berger and Gunta Stölzl. Using experimental motifs and colour relationships developed by these artists, Van Halm reintegrates these unconventional patterns within a two- dimensional painting language that envelops the viewer, bringing out obvious and subtle associations between colour and forms.