Equinox Gallery presents Angela Teng: Colourwork, a solo exhibition of paintings for the Pacific Gallery at the Fairmont Pacific Rim.
Teng (b. 1979) has been acknowledged nationwide for her experimentation with the medium of paint, particularly her works made by crocheting paint strings. After squeezing and drying lengths of different coloured paints into thin strips that approximate yarn, Teng uses a single hook to crochet the paint into rectangular and square compositions. Her works elicit a broad range of references, from the colourful, commonplace Afghan throw to the geometric abstraction of high modernism, all while implicating the artistic labour of women that has typically earned the distinction of "craft" rather than "art".
Vitality: Fred Herzog Photographs In and Around ChinatownCurated by Carol Lee
April 5, 2025 - May 10, 2025
Equinox Gallery presents a solo exhibition of street photographs by Fred Herzog, chronicling the street life of Vancouver’s Chinatown and surrounding neighbourhoods in the 1950s and 1960s. Guest-curated by Carol Lee, co-founder and Chair of the Vancouver Chinatown Foundation and committed advocate for the revitalization of Chinatown and the Downtown Eastside, the works in this exhibition highlight the area’s history of vibrant street life, businesses and social centres. As a champion of Chinatown’s resilience and with deep knowledge of its past, Lee’s engagement with Herzog’s photographs offers a renewed appreciation for his artistic vision while emphasizing the significant cultural heritage in our city.
For more information or to request a list of available works, please contact the gallery at info@equinoxgallery.com
Fred Herzog
Newspaper Readers
1961
Archival pigment print
Image size: 18" x 10 3/4"
Edition of 20Signed and dated by artist on verso
Fred Herzog
Two Women in Coats
1968
Archival pigment project
Image size: 18" x 11 3/4"
Edition of 20Signed and dated by artist on verso
Fred Herzog
Kuo Kong Silk
1967
Archival pigment print
Image size: 18" x 11 3/4"
Edition of 20Signed and dated by artist on verso
Fred Herzog
Canadian National Pier
1959
Archival pigment print
Image size: 18" x 12"
Edition of 20Estate stamped and dated on verso
Fred Herzog
Chung Wah
1960
Archival pigment print
Image size: 12" x 17 1/2"
Edition of 20Estate stamped and dated on verso
Fred Herzog
Carrall St.
1972
Archival pigment print
Image size: 12" x 15 1/2"
Edition of 20Estate stamped and dated on verso
Fred Herzog
Real Estate Ads
1961
Archival pigment print
Image size: 12" x 17 3/4"
Edition of 20Signed and dated by artist on verso
Fred Herzog
Chop Suey Steaks
1968
Archival pigment print
Image size: 12" x 18"
Edition of 20Signed and dated by artist on verso
Fred Herzog
Fishseller
1958
Archival pigment print
Image size: 18" x 12"
Edition of 20Signed and dated by artist on verso
Fred Herzog
Café Main
1960
Edition of 20Signed and dated by artist on verso
Image size: 18" x 12"
Fred Herzog
Yen Tong Café
1963
Archival pigment print
Image size: 29 1/2" x 20"
Edition of 20Signed and dated by artist on verso
Fred Herzog
Main St.
1957
Archival pigment print
Image size: 16" x 10"
Edition of 20Estate stamped and dated on verso
Fred Herzog
Black Man Pender
1958
archival pigment print
Image size: 11 1/4" x 18"
Edition of 20Signed and dated by artist on verso
Fred Herzog
Main Barber
1968
Archival pigment print
Image size: 12" x 18"
Edition of 20Signed and dated by artist on verso
Fred Herzog
Foot of Main
1968
Archival pigment print
Image size: 10 1/2" x 18"
Edition of 20Signed and dated by artist on verso
Fred Herzog
Hastings
1956
Archival pigment print
Image size: 12" x 16 1/2"
Edition of 20Estate stamped and dated on verso
Maggee DayStudio Interior
April 5, 2025 - May 3, 2025
Maggee Day's paintings capture the evolving experience of working in her Chinatown studio. Scattered paint cans, studio chairs, architectural details, and budding trees seen through her window find their way onto her canvases through a generative process that reveals unexpected angles and new ways of seeing. Working on multiple canvases at once, she allows each layer to dry over time, returning with fresh perspective. Through this gradual layering, her paintings offer shifting observations of the same space, creating a visual history of change—shadows stretching, objects rearranging, and light subtly transforming the perception of forms.