Equinox Gallery is pleased to present Gone and Going, Devon Knowles’ first solo exhibition with the gallery.
In Devon Knowles’ new body of work the engineering of materials is implicit as both the subject and process of the work. Through a sustained process of observation, Knowles documents urban sites and neighbourhoods in transition, intuitively noting the recurrence of colours and patterns present in her chosen locations. Her walks through neighbourhoods are filtered through multiple technologies, as she fragments and reassembles the changing landscapes into aluminum, fused glass, and stained-glass compositions. In describing her work the artist notes that, “texture, colour, their source and the small variations in their physical dimensions are all important. Texture can blow out the colour as the physical light glares on its surface, making it impenetrable from certain points of view. What becomes evident at that moment, where it is all surface and you cannot see beyond the glare of external light bouncing, is a temporary boundary.” This idea of boundaries permeates Knowles’ work where her thoughtful use of materials drives the careful examination of spaces, edges, and their human presence.
Knowles has exhibited her work in solo exhibitions in Berlin, Toronto, Brooklyn and Vancouver. Group exhibitions include such venues as Vancouver Art Gallery, Night Gallery, Los Angeles, and SFU Gallery, Charles H. Scott Gallery, the Western Front, Or Gallery and Unit Pitt, Vancouver. Knowles has participated in residency programs in Europe and she has received grants from the Toronto Arts Council, the Ontario Arts Council, British Columbia Arts Council, Canada Council for the Arts and was awarded the Mayor’s Arts Award as an Emerging Artist in Public Art. She has taught at Emily Carr University of Art and Design, Simon Fraser University and the University of Victoria is currently a faculty member at Langara College, snəw̓eyəɬ leləm̓. Knowles’ work is included in the collection of the Vancouver Art Gallery. Devon Knowles lives and works in Vancouver, Canada.
For a list of available works please contact the gallery at info@equinoxgallery.com or (604) 736 - 2405
Devon Knowles, Gone and Going October 22 - November 19, 2022
Rachel Topham Photography
Installation View
Devon Knowles, Gone and Going October 22 - November 19, 2022
Rachel Topham Photography
Installation View
Devon Knowles, Gone and Going October 22 - November 19, 2022
Rachel Topham Photography
Installation View
Devon Knowles, Gone and Going October 22 - November 19, 2022
Rachel Topham Photography
Devon Knowles
Between ‘18 and ‘22
2022
Aluminum; Glass and steel; Glass, lead, tin and steel
Triptych: 13” x 13” x 3” each; Total dimensions: 13” x 39” x 3”
Rachel Topham Photography
Devon Knowles
Between ‘17 and ‘22
2022
Aluminum; Glass and steel; Glass, plastic, lead, tin and steel
Triptych: 12” x 12” x 1 3/4” each; Total dimensions: 12” x 36” x 1 3/4”
Rachel Topham Photography
Devon Knowles
Walking Spectrum VII, i, S17
2022
Glass, copper, tin, lead, steel
35” x 34 3/4” x 4 1/4”
Rachel Topham Photography
Devon Knowles
Walking Spectrum VII, ii, S17
2022
Glass, copper, tin, lead, steel
34 1/4” x 34” x 3”
Rachel Topham Photography
Devon Knowles
Flow no. 1
2022
Glass, copper, felt, steel
12” x 12” x 2 1/2”
Rachel Topham Photography
Devon Knowles
Flow no. 2
2022
Glass, copper, felt, steel
12” x 12” x 2 1/2”
Rachel Topham Photography
Devon Knowles
Winter Butterfly
2022
Glass, steel
Diptych: 21” x 21” x 4 1/2” each; Total dimensions: 42” x 4 1/2”
Rachel Topham Photography
Devon Knowles
Is, Was, Here
2022
Glass
3 parts; Total Dimensions: 10" x 7" x 2 1/2"
Rachel Topham Photography
Featured Artists
Devon Knowles
Devon Knowles
Devon Knowles investigates the histories, economies and social meanings of diverse materials – from denim fabric and aluminum to coloured glass and concrete. In moving such substances from their everyday context to a new environment, our appreciation of their properties and capacities becomes heightened. In working and reworking material, using traditional and contemporary fabrication methods, a rich language of the interplay of material and method emerges. As she engages with theories of perception, optical effects and tactility, alongside the direct act of making, Knowles encourages the viewer to access her work from a shared intimacy and sympathetic attentiveness.