Over a long and dedicated career, Renée Van Halm has pursued her interest in expressions of creativity by others, especially those working in the fields of craft and design. Her own practice draws on a wide range of references, from era-specific domestic paint colours, to woven patterns produced by female members of the Bauhaus design group, and in this current body of work, patterned lengths of cloth from the late 1880s made as essential fashion accessories for women to express their individuality, commonly known as French ribbons.
The title of the exhibition, IRL, is an abbreviation for “in real life," a term developed in the early days of the internet as a way to distinguish events and interactions occurring offline, outside the internet and its projected subjectivities and fantasies. The title acknowledges Van Halm’s interest in the very real, tangible impacts of pattern, colour, and design on social and cultural life. In viewing her works in person, physical characteristics of the thin brushstrokes and the materiality of the canvas are observed and felt, and one's focus is activated by lively compositions, in real life.
Renée Van Halm has been a significant figure in Canadian art for over forty years, both as a practicing artist and as an arts educator. In the early part of her career, Van Halm was interested in creating forms that were hybrids of many media, not purely painting, sculpture, or architecture. The evolution of her subject and medium has led her to consider the many forms of visual presentation in our culture. Van Halm draws her images from a variety of sources: mainstream fashion, architecture and decor magazines, and more recently the work of 1920s Bauhaus artists and weavers, in considering the ways in which architectural space governs contemporary human experience.