Sight Lines
Featuring Marten Elder, Erin McSavaney, and Renée Van Halm

Marten Elder

Marten Elder’s photographs offer a reconsideration of the way that images are captured in light of digital and technological developments. Through careful interpretation of the raw data, Elder produces photographs that disrupt spatial hierarchy and that are intensely vibrant in their tonal range. The colours may seem synthetic at first, but they all exist in the world in the same relative relationship to one another, and it is this representation of the world that is of great interest to Elder.

Erin McSavaney

Renée Van Halm

Renée Van Halm has been a significant figure in Canadian art for over forty years, both as a practicing artist and as an arts educator. In the early part of her career, Van Halm was interested in creating forms that were hybrids of many media, not purely painting, sculpture, or architecture. The evolution of her subject and medium has led her to consider the many forms of visual presentation in our culture. Van Halm draws her images from a variety of sources: mainstream fashion, architecture and decor magazines, and more recently the work of 1920s Bauhaus artists and weavers, in considering the ways in which architectural space governs contemporary human experience.