Equinox Gallery is pleased to presentfuture relics of our time, an exhibition of ceramic works by Serisa Fitz-James, Jack Kenna, and Isabel Wynn, curated by Andrea Valentine-Lewis. During the Middle Ages, objects associated with holy people and sites were deeply celebrated. Due to their association with saints or with heaven itself, relics, such as bits of hair or body parts, were considered divine. Because the term relic derives from the Latin word relinquere, meaning “that which is left behind,” these objects have become temporal markers for future generations. Reflecting on the material and affective dimensions of Medieval relics, one might wonder, what would constitute a future relic representative of our present time.
CLICK HERE to read essay by curator, Andrea Valentine-Lewis.
future relics of our time February 19 - March 19, 2022
Installation View
future relics of our time February 19 - March 19, 2022
Installation View
future relics of our time February 19 - March 19, 2022
Installation View
future relics of our time February 19 - March 19, 2022
Jack Kenna
Living in a Box of Wine with You II
2022
Glazed stoneware and glass bottles
12" x 12" x 14"
Jack Kenna
Milk Maid
2022
Glazed stoneware
14" x 14" x 11 1/2"
Serisa Fitz-James
Super Football
2021
Coloured Clay
18" x 18" x 18"
Serisa Fitz-James
Butterfly Pot
2021
Coloured Clay
11" x 11" x 13"
Isabel Wynn
Labour
2021
Ceramic and Spray Paint
20" x 13" x 14"
Isabel Wynn
Discomfort
2021
Ceramic
20" x 16" 12"
Isabel Wynn
Ruminating
2021
Ceramic
20" x 13" x 14"
Isabel Wynn
Becoming Fluid
2022
Ceramic
14" x 15" x 12"
Featured Artists
Jack Kenna
Jack Kenna
Jack Kenna’s artistic practice extends fluidly across painting and sculpture, often incorporating found images, objects, and text. Drawing partially from his material surroundings, his compositions are highly considered and incorporate unconventional juxtapositions, uncanny backgrounds and close-up cropping of objects of subjective and sentimental value. Kenna also makes great use of the extensive cache of online imagery to develop a vocabulary of motifs that are constantly appearing, morphing, and reappearing in his practice. Kenna’s works incorporate a broad range of techniques allowing him to use varied methods of representation. As a young artist, he is comfortable merging imagery from the history of still life painting with the archive of cell phone photography, allowing him to create works that convey the paradoxes inherent in the contemporary experience.
Born in São Paulo, Brazil and raised in Steveston, British Columbia, Isabel Wynn studied ceramics at Langara College and Emily Carr University where the foundations for the methodologies shaping her current sculptural practice were laid. Through the medium of clay, her practice is an exploration of lived experiences, the obscurity of emotions, and the balance between control and uncertainty.
In 2021, Wynn established Báhoo Studio, a ceramics studio and school that has evolved into a thriving artist space. Serving as the founder and director, she has transformed the studio into a community hub where artists gather to explore their craft under her mentorship.